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From Rasme ulfat to Ottagatha kattikko, Dharmavati ragam (raag) is very popular. It can be used to deliver romance, pathos and everything in between. Using four examples, Dr. Kanniks Kannikeswaran analyses how this ragam was used by A R Rahman, Dakshinamurthy, M S Viswanathan and M M Keervani. A musical feast for the ears!

Music appreciation series with Dr Kanniks Kannikeswaran – Dharmavati

Sahil Mishra - September 13, 2020 0

BOOKS

Does A World Adrift capture today’s geopolitical reality, or does it overlook the deeper structural shifts reshaping the world order?

Book review: “A World Adrift” — Manish Tewari’s foray into global...

From command-economy socialism and policy paralysis to neglected infrastructure and education, India’s long journey through poverty reflects decades of flawed economic choices

Book review – A Sixth of Humanity

A review of how religion and political narratives shape public discourse

Book review: Hindutva and Hind Swaraj

From Field Marshal Manekshaw’s leadership lessons to today’s talent playbook

Book review: The evolution of talent as science and technology progress

When the winner writes history, the loser is often erased. Indian academia’s left‑leaning historians, critics argue, have recast ancient and medieval narratives—excluding the river Saraswati River, down‑playing texts like the Ramayana, and labelling dissenting scholars as “Sanghis”

Book Review: I, Witness by Shahid Siddiqui

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